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Details
Track Listing
  1. Overture/Food Glorious Food
  2. Oliver!
  3. I Shall Scream
  4. Boy for Sale/Where Is Love?
  5. Consider Yourself
  6. You've Got to Pick a Pocket or Two
  7. It's a Fine Life
  8. I'd Do Anything
  9. Be Back Soon
  10. Oom-Pah-Pah
  11. My Name
  12. As Long as He Needs Me
  13. Who Will Buy?
  14. Reviewing the Situation
  15. As Long as He Needs Me (Reprise)
  16. Reviewing the Situation (Reprise)
  17. Finale
  18. Oliver!, musical: Finale
  19. Oliver!, musical: That's Your Funeral (Bonus Track)
  20. Oliver!, musical: You've Got to Pick a Pocket or Two (Bonus Track)
  21. Oliver!, musical: Reviewing the Situation (Bonus Track)
  22. Oliver!, musical: As Long As He Needs Me (Bonus Track)
  23. Interview with Donald Pippin (Spoken Word): Getting the job
  24. Interview with Donald Pippin (Spoken Word): The recording sessions
  25. Interview with Donald Pippin (Spoken Word): What a musical director has to know with children in the cast; Shirley Temple
  26. Interview with Donald Pippin (Spoken Word): Differences between the London and New York productions
  27. Interview with Donald Pippin (Spoken Word): The pit and the producer; winning the Tony Award
Release DateJune 03, 2003
MediaAudio CD
FeaturesOriginal recording remastered
LabelRCA Victor Broadway
UPC828765143226


Description from Amazon Logo
Lionel Bart's wonderful musical adaptation of the CharlesDickens classic was the first London stage musical to be transplanted to Broadway with the same kind of sensation it received in Britain-- something that is now common in these post-Cats/Les Miserables times. Although no one from this British cast ever became enormously famous (future Monkee Davy Jones was in the Broadway cast)--and Sir Carol Reed's film version receives all the critical accolades--this remains the better recording, featuring all the songs cut from the film, while excluding the film's musical interludes that simply seem annoying without the visuals. Just compare Bruce Brochnik to the film's Mark Lester in the title role. Or Clive Revill to Ron Moody's Fagin. Or any of the principals, for that matter--and the differences are remarkable. --Bill Holdship


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